The Veronica Maneuver
(eBook)

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Published
University of Akron Press, 2015.
Format
eBook
ISBN
9781629220321
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Jennifer Moore., & Jennifer Moore|AUTHOR. (2015). The Veronica Maneuver . University of Akron Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jennifer Moore and Jennifer Moore|AUTHOR. 2015. The Veronica Maneuver. University of Akron Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jennifer Moore and Jennifer Moore|AUTHOR. The Veronica Maneuver University of Akron Press, 2015.

MLA Citation, 9th Edition (style guide)

Jennifer Moore, and Jennifer Moore|AUTHOR. The Veronica Maneuver University of Akron Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID92a296c3-6cb8-3ba3-0a0a-5d3ed5cb0a40-eng
Full titleveronica maneuver
Authormoore jennifer
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-08 02:54:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 16, 2022
Last UsedMay 3, 2023

Hoopla Extract Information

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    [synopsis] => Jennifer Moore's debut collection takes its title from a bullfighting technique in which the matador draws the bull with his cape; in these poems, however, traditional moves are reconfigured and roles are subverted. In a broader sense, the word "veronica" (from the Latin vera, or "true" and the Greek eikon, or "image") functions as a frame for exploring the nature of visual experience, and underscores a central question: how do we articulate events or emotions that evade clear understanding? In order to do so, the figures here perform all manner of transformations: from vaudeville star to cartoonist's daughter, from patron saint to "Blue-Eyed Torera;" they are soothsayers, apothecaries, curators, often conjuring selves out of thin air. This dilating and "shape-shifting" of perspective becomes a function of identity: "the absorber and the absorbed become one." Indeed, both speaker and listener must be crafted-willed into being-by each other ("Be your own maestro"), and are apparitions until then. Through a flick of the wrist or a trick of the eye, these speakers understand that construction of a self comes only through performance of that self-which performances are often punctuated with a wink, an unswerving gaze, or both at once.
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