Problems of the Actor: With an Introd by Clayton Hamilton
(eBook)

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Published
Muriwai Books, 2018.
Format
eBook
ISBN
9781789128468
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Louis Calvert., & Louis Calvert|AUTHOR. (2018). Problems of the Actor: With an Introd by Clayton Hamilton . Muriwai Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Louis Calvert and Louis Calvert|AUTHOR. 2018. Problems of the Actor: With an Introd By Clayton Hamilton. Muriwai Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Louis Calvert and Louis Calvert|AUTHOR. Problems of the Actor: With an Introd By Clayton Hamilton Muriwai Books, 2018.

MLA Citation, 9th Edition (style guide)

Louis Calvert, and Louis Calvert|AUTHOR. Problems of the Actor: With an Introd By Clayton Hamilton Muriwai Books, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf22d0e7a-80ce-eb0d-786e-8840e2acd154-eng
Full titleproblems of the actor with an introd
Authorcalvert louis
Grouping Categorybook
Last Update2022-10-18 22:25:19PM
Last Indexed2024-04-27 06:00:46AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 11, 2022
Last UsedApr 20, 2024

Hoopla Extract Information

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    [synopsis] => I have been on the stage for more than forty years. My profession and its problems have been the principal interest in my life. It is natural that such an extended association with the theater should yield certain technical theories on my art; and, since I am nearing sixty, it is natural that I should want to talk about them. I do not regard any opinion I hold on the subject of acting as infallible; I learn something new about my profession every day; but there is one claim I make for the opinions I state in this book: they are not hasty. They have been two score years in taking shape. 

I have watched many young people start their careers on the stage; I have seen some of them rise to success, and others sink to oblivion. It has seemed to me that the difficulties each met, and the mistakes each was likely to make were, in a general way, always of the same character. They were the difficulties and mistakes, which all actors encounter. 

There is no lack of books dealing with the lives of those in the actor's profession. But few of them shed any light on the technique by which the admired actors of the past rose to high place. They are mostly pleasant, chatty reminiscences of their personal lives, whereas it is their professional lives that are significant.
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