Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants
(eBook)

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Published
Indiana University Press, 2016.
Format
eBook
ISBN
9780253022363
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Daniel B. Reed., & Daniel B. Reed|AUTHOR. (2016). Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Daniel B. Reed and Daniel B. Reed|AUTHOR. 2016. Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Daniel B. Reed and Daniel B. Reed|AUTHOR. Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants Indiana University Press, 2016.

MLA Citation, 9th Edition (style guide)

Daniel B. Reed, and Daniel B. Reed|AUTHOR. Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants Indiana University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDac444731-5776-9f61-b936-c0600967bdab-eng
Full titleabidjan usa music dance and mobility in the lives of four ivorian immigrants
Authorreed daniel b
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-05-25 03:22:26AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 16, 2022
Last UsedMay 11, 2024

Hoopla Extract Information

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    [synopsis] => Daniel B. Reed integrates individual stories with the study of performance to understand the forces of diaspora and mobility in the lives of musicians, dancers, and mask performers originally from Cte d'Ivoire who now live in the United States. Through the lives of four Ivorian performers, Reed finds that dance and music, being transportable media, serve as effective ways to understand individual migrants in the world today. As members of an immigrant community who are geographically dispersed, these performers are unmoored from their place of origin and yet deeply engaged in presenting their symbolic roots to North American audiences. By looking at performance, Reed shows how translocation has led to transformations on stage, but he is also sensitive to how performance acts as a way to reinforce and maintain community. Abidjan USA provides a multifaceted view of community that is at once local, national, and international, and where identity is central, but transportable, fluid, and adaptable.
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