Kill the Documentary: A Letter to Filmmakers, Students, and Scholars
(eBook)

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Published
Columbia University Press, 2022.
Format
eBook
ISBN
9780231554701
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Jill Godmilow., & Jill Godmilow|AUTHOR. (2022). Kill the Documentary: A Letter to Filmmakers, Students, and Scholars . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jill Godmilow and Jill Godmilow|AUTHOR. 2022. Kill the Documentary: A Letter to Filmmakers, Students, and Scholars. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jill Godmilow and Jill Godmilow|AUTHOR. Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Columbia University Press, 2022.

MLA Citation, 9th Edition (style guide)

Jill Godmilow, and Jill Godmilow|AUTHOR. Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Columbia University Press, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID708d7333-6fd6-ebae-338b-edcf26760259-eng
Full titlekill the documentary a letter to filmmakers students and scholars
Authorgodmilow jill
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-15 01:56:17AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 28, 2022
Last UsedOct 29, 2023

Hoopla Extract Information

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    [synopsis] => Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the "pedigree of the real" and the "pornography of the real," they fail to activate their viewers' engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an "us-watching-them" mode that ultimately reinforces self-satisfaction and self-absorption.

In place of the conventional documentary, Godmilow advocates for a "postrealist" cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films.
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