Dziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Flicker Alley, 1934., Kanopy Streaming, 2016.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (274 minutes): digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
FilmCollection.
General Note
Title from title frames.
General Note
In Process Record.
Participants/Performers
Features: Mikhail Kaufman
Date/Time and Place of Event
Originally produced by Flicker Alley in 1934.
Description
I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it. - Dziga Vertov (Kino-Eye) These words, written in 1923 (only a year after Robert Flaherty's Nanook of the North was released) reflect the Soviet pioneer's developing approach to cinema as an art form that shuns traditional or Western narrative in favor of images from real life. They lay the foundation for what would become the crux of Vertov's revolutionary, anti-bourgeois aesthetic wherein the camera is an extension of the human eye, capturing the chaos of visual phenomena filling the universe. Over the next decade-and-a-half, Vertov would devote his life to the construction and organization of these raw images, his apotheosis being the landmark 1929 film The Man with the Movie Camera. In it, he comes closest to realizing his theory of 'Kino-Eye,' creating a new, more ambitious and more significant picture than what the eye initially perceives. The Man with the Movie Camera and Kino-Eye feature musical accompaniments by Alloy Orchestra and Robert Israel respectively, while original soundtracks have been restored for Enthusiasm and Three Songs About Lenin.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Vertov, D. (1934). Dziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works . Flicker Alley.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Vertov, Dziga. 1934. Dziga Vertov: The Man With the Movie Camera and Other Newly-Restored Works. Flicker Alley.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Vertov, Dziga. Dziga Vertov: The Man With the Movie Camera and Other Newly-Restored Works Flicker Alley, 1934.
MLA Citation, 9th Edition (style guide)Vertov, Dziga. Dziga Vertov: The Man With the Movie Camera and Other Newly-Restored Works Flicker Alley, 1934.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
8071f28d-9a8d-6ddb-769f-d848ead3d769-eng
Grouping Information
| Grouped Work ID | 8071f28d-9a8d-6ddb-769f-d848ead3d769-eng |
|---|---|
| Full title | dziga vertov the man with the movie camera and other newly restored works |
| Author | flicker alley |
| Grouping Category | movie |
| Last Update | 2023-10-26 13:40:29PM |
| Last Indexed | 2024-05-04 02:50:12AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jun 16, 2022 |
| Last Used | May 2, 2024 |
Marc Record
| First Detected | Aug 23, 2021 02:36:45 PM |
|---|---|
| Last File Modification Time | Oct 26, 2023 01:44:35 PM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 500 | |a In Process Record. | ||
| 511 | 0 | |a Features: Mikhail Kaufman | |
| 518 | |a Originally produced by Flicker Alley in 1934. | ||
| 520 | |a I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it. - Dziga Vertov (Kino-Eye) These words, written in 1923 (only a year after Robert Flaherty's Nanook of the North was released) reflect the Soviet pioneer's developing approach to cinema as an art form that shuns traditional or Western narrative in favor of images from real life. They lay the foundation for what would become the crux of Vertov's revolutionary, anti-bourgeois aesthetic wherein the camera is an extension of the human eye, capturing the chaos of visual phenomena filling the universe. Over the next decade-and-a-half, Vertov would devote his life to the construction and organization of these raw images, his apotheosis being the landmark 1929 film The Man with the Movie Camera. In it, he comes closest to realizing his theory of 'Kino-Eye,' creating a new, more ambitious and more significant picture than what the eye initially perceives. The Man with the Movie Camera and Kino-Eye feature musical accompaniments by Alloy Orchestra and Robert Israel respectively, while original soundtracks have been restored for Enthusiasm and Three Songs About Lenin. | ||
| 538 | |a Mode of access: World Wide Web. | ||
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