Christine Rendel
4) Lara
For Lara, a half faerie, half human, her beauty is a blessing and a curse. Sold into a Pleasure House by her father, she commits herself to a lifetime of servitude. But even in a place where pleasure is not censured but encouraged, her otherworldly beauty proves too much for her suitors.
When Lara escapes,...
Lord Andrew Mabry, the second son of the Duke of Greystone, has no desire to marry. As the spare, he has no obligation to provide an heir and he rather enjoys spending his days and nights in play with the demimonde. But more and more of late, he finds himself wanting to play naughty games with the American heiress, Gina Hammersley.
After her scandalous older sister marries a marquess, Gina Hammersley suddenly finds herself the darling of
...He's posing as a groomsman.
Rhys Sheffield, the Duke of Worthington, has bet his friends an ungodly sum of money that despite his loftiness, he can pass himself off as a servant at the house party of the Season. But when his clever ex-flame arrives and recognizes Rhys in the stables pretending to be a groomsman, she realizes it's the perfect opportunity to pay him back for breaking off their engagement.
She's
...He's on a top-secret assignment.
All of London knows Beau Bellham as the Marquess of Bellingham, but only a trusted few know he also works for the Home Office. His specialty? Scouting out traitors to the Crown. So, when one of his friends pretends to be a footman at a house party in order to find a wife, Beau decides posing as a valet at the same gathering will be the perfect cover for him to spy on the men he suspects of
...She thinks he's a footman. He's really an earl. Hijinks ensue.
Let the games begin...
Every fortune-hunting female in London is after the newly titled Earl of Kendall, but he's intent on finding a wife whose heart is true. So, while drunkenly jesting with his friends in a pub one night, he has an idea—what if the ladies of the ton didn't know he was a wealthy earl? All he has to do is
...16) The Shadow Queen
19) Dearly beloved
Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time"—a lost joyful time—and after. She was shunted...