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"Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest...
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Seeing is Believing is a provocative, shrewd, witty look at the Hollywood fifties movies we all love-or love to hate-and the thousand subtle ways they reflect the political tensions of the decade. Peter Biskind, former executive editor of Premiere, is one of our most astute cultural critics. Here he concentrates on the films everybody saw but nobody really looked at, classics like Giant, On the Waterfront, Rebel Without a Cause, and Invasion of the...
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Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot...
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A Los Angeles Times Bestseller
Winner of the Best Non-Fiction Book Prize at the 2018 National Arts & Entertainment Journalism Awards
"Ben Fritz crafts an electrifying and essential book that carefully chronicles how Hollywood tradition is collapsing and new models are fueling the future. A must-read."-Ava DuVernay, director of A Wrinkle in Time, Selma, and 13th
The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead...
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It was the end of an era. It was a turbulent, colorful, and altogether remarkable period, four short years in which America's most popular industry reinvented itself. Here is the epic story of the transition from silent films to talkies, that moment when movies were totally transformed and the American public cemented its love affair with Hollywood. As Scott Eyman demonstrates in his fascinating account of this exciting era, it was a time when fortunes,...
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Hollywood historian and film reviewer Leonard Maltin invites readers to pull up a chair and listen as he tells stories, many of them hilarious, of 50+ years interacting with legendary movie stars, writers, directors, producers, and cartoonists. Maltin grew up in the first decade of television, immersing himself in TV programs and accessing 1930s and '40s movies hitting the small screen. His fan letters to admired performers led to unexpected correspondences,...
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In Pictures at a Revolution, Mark Harris turned the story of the five movies nominated for Best Picture in 1967 into a landmark work of cultural history, a book about the transformation of an art form and the larger social shift it signified. In Five Came Back, he achieves something larger and even more remarkable, giving us the untold story of how Hollywood changed World War II, and how World War II changed Hollywood, through the prism of five film...
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An account of how the revolution hit Hollywood, told through the stories of the five films nominated for the 1967 Academy Awards. Tracks five movies--the milestones : Bonnie and Clyde, The Graduate, Guess Who's Coming to Dinner, In the Heat of the Night, Doctor Dolittle, on their five-year journey to Oscar night in 1968.
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Accompanied by anecdotes about and interviews with more than 200 show-business luminaries, a compelling biography of Hollywood's first superagent - one of the most outrageous showbiz characters of the 1960s and 1970s - charts show business as it evolved throughout the years.
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The story of the makeup artist who changed the film industry—and the world of modern cosmetics. Includes photos.
When Polish wigmaker and cosmetician Max Factor arrived in Los Angeles at the dawn of the motion picture industry, “make-up” had been associated only with stage performers and ladies of the oldest profession. Appalled by the garish paints worn by actors, Factor introduced the first “flexible”
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Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed...
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"Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's...
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"The Big Screen" tells the enthralling story of the movies: their rise and spread, their remarkable influence in the war years, and their long, slow decline to a form that is often richly entertaining but no longer lays claim to our lives the way it once did.
15) The $11 billion year: from Sundance to the Oscars, an inside look at the changing Hollywood system
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Chronicling the making and marketing of movies released in 2012, from low-budget indies to studio blockbusters, a reporter who has written about Hollywood for more than twenty-five years covers every aspect of the billion-dollar global motion picture industry.
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Wes Anderson is one of the most influential voices from the past two decades of American cinema. A true auteur, Anderson is known for the visual artistry, inimitable tone, and idiosyncratic characterizations that make each of his films- 'Bottle Rocket', 'Rushmore', 'The Royal Tenenbaums', 'The Life Aquatic with Steve Zissou', 'The Darjeeling Limited', 'Fantastic Mr. Fox', and 'Moonrise Kingdom'- instantly recognizable as "Andersonian." 'The Wes Anderson...
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"When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch. but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the...
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The film critic's sweeping analysis of American cinema in the Cold War era.
An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman.
Hoberman demonstrates how the nation's deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on...
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"Many of American cinema's most defining movies have roots in the South. Be they films that excite (No Country for Old Men), amuse (My Cousin Vinny), or disturb (Deliverance), Southern movies remain some of the most evocative in modern filmmaking. The South Never Plays Itself examines the historical and cultural legacy of the South and the silver screen, a relationship as tangled and inextricable as Spanish moss. From the racist propaganda of The...
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